Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Sunday, November 22, 2009

English short, music long

Before you think my grammar's gone kaput, the title's a part-reference to what an artiste I heard yesterday said.... specifics later in the post.

Last night was the penultimate performance of this year's Novemberfest..... this time it was a Korean group called Gong Myoung...yeah, I know, try saying that aloud without smiling :)

By the end of their performance, I was ready to swear that these 4 guys could make music out of just about anything....like, they'd already performed with an empty 20 litre water can, and a hollowed out walking stick!! Brilliantly versatile, amazing coordination and an array of instruments I'd never seen before. Do catch this group if you get a chance..... you won't be disappointed, I assure you. It's all instrumental btw, haunting, soothing, foot-tapping and peppy all at once.

But this post wasn't meant to be just about the music.

It turned out during the show that only one member of the quartet could speak some English. While telling the audience rather haltingly that this was their first trip to India, he mentioned that his "English languag-ee short, Korean languag-ee long". A fairly accurate way of conveying his relative skill in each language. He was a good sport about it though....made an effort to introduce the team well, and connect with the audience. The audience, for their part, was ready to cheer on his efforts and laugh along.

Which is perfectly fine, but just one little thought niggled at the back of my mind....

What if it was an Indian guy standing onstage and speaking like that to an Indian audience??

Unfortunately, I think there's a 99% chance that he would have been criticized to shreds by the listeners.

What is it about us Indians that allows us to generously overlook the linguistic shortcomings of a foreigner, but remain adamant about the supposed English fluency we expect from a fellow Indian?? Kinda funny, 'coz We are like that only seems to work pretty well for everything else.

Is it because English has become a second or even first language to virtually everyone in an urban or semi-urban setting? Or is it because of the English = Educated mindset we have?

Y'see, it doesn't seem to matter as much to the same people if the speaker can't manage his mother tongue fluently. Oh and that's not all, we have a big and I mean biiiig issue about regional accents too...... a damned-if-you-have, damned-if-you-don't attitude is what generally prevails.

From personal experience, I have been told on a few occasions that I speak with a mallu accent. Fine. But what beats me is that it's often said in that Oh you poor thing tone.

Why, people, whyyyyyy???

For crying out loud, I was taught by Indian teachers (mallu and otherwise), learned my lessons under the eye of mallu parents, talked in Malayalam long before I learned English...of course I'd have an accent!! Granted, Indian accents pro'lly don't sound that great with Western languages but then again, that street goes both ways. The other version is when I'm told I speak English well "for a Malayalee"....... hmmm, let's not get into that right now. Btw, this is an experience some non-mallu friends have gone through as well, so I guess that Unity in diversity thingie's not total hogwash after all.

Some views on this would be great. Coming back to the music, we're gearing up to swing with the Afro-Brit band Osibisa tonight..... will keep y'all posted.

In the meantime the only thought in my mind as I left the Music Academy last night was that languages really don't matter..........when the music's "long".

:)

P.S - In the meantime, do check out this Kurbaan review...had me in splits!!

Tuesday, November 17, 2009

Sufiana kalaam...kamaal hai!!

I love the way something or the other keeps happening to remind me why I missed this city so....despite all the fun in a Delhi or a Mumbai....especially a Mumbai.

Among many things, unlimited access to filter kaapi is of course a given. The other is Music with a capital 'M' :)...and a crowd that relishes it in style.

Caught up with the MMA's Israel in Egypt at the start of this month. A choir backed by a symphony orchestra.....and the violins made me weep for all the right reasons.

And today was the kickoff of the Hindu November Fest - a five day music program featuring Indian and international artistes of various genres. Day one featured Abida Parveen, known to most as the foremost Sufi artiste of today...... and man oh man, she is known for a reason alright.

Yours truly is a self-proclaimed ignoramus on most things musical, but I know good music when I hear it. Even if I don't understand a word of what's being sung....and today Abida Parveen won over one more fan :) Where did those 2 odd hours go??? Amazing voice, power, richness and style........... and kudos to the Chennai rasikas who proved beyond a doubt that they are among the most receptive (and appreciative) audiences in the country when it comes to the arts.

Yes, an occasional jingoistic jiggle on my part is more than acceptable...especially since I'm not asking Ms. Parveen to sing in Tamil!! (Like a certain ageing politician would've if he were in this part of the country)

Lots more coming up in the next few weeks folks...shall post as and when I can. I love this season and this city!!

Wednesday, April 1, 2009

Songs of my days

All of us have certain triggers that unleash a set of memories or emotions. It could be anything. A sight, a smell, a song, a voice, the sound of laughter…absolutely anything. While I have ‘triggers’ filed away neatly under each of these and more, it’s undoubtedly the song category that’s filled to bursting.

Come to think of it, I could retrace my entire life through a series of songs.

My earliest memories would be of listening to tape after tape of Yesudas and Chitra’s Malayalam duets. And some SPB hits in Tamil. Not to forget Ilaiyaraja.

And that brings back memories of days before the scourge called 'education' hit me (:-P)…of our first home in Gelfie-land, and the tape recorder that proudly stood on the sideboard. Unfortunately my aged-three-years version of Kannai Kalaimaane is still quoted verbatim by my folks (Sob!) Am not trying to say that the aged-twenty-something version’s better, but atleast the words are not scandal-inducing. Btw, that song’s the Tamil precursor of Surmai Akhiyon Mein.

Net result: I’m a lifelong fan of Yesudas and still think nobody can sing like he does. Like, for heaven’s sake listen to that voice, and then consider that he’s pushing 70 now!!!

Time moves ahead. Now there are early morning rides to school. And buddy, I mean early, coz my classes started at 7!!! I was a whiner-cum-howler who’d faithfully cling to her Amma’s hand every morning, so school, predictably, wasn’t the best way to start the day. The only consolation was the music during the ride in Dad’s (and my) beloved 1990 Daewoo.

Enter Messrs Kishore Kumar and Mohd Rafi.

Aiyyayya karoon main kya sukoo-sukoo??

Gaata rahe mera dil…Ek ajnabee haseena se yun mulakaat ho gayi….

Kehna hai…humein tumse pyaar kitna…..

Is mod se jaate hai…

Aur agley mod leke, we’d finally reach school. And those songs would be playing in my head all day. Kishore Kumar’s amazing no doubt, and I am a big fan. But somehow, I’ve always had a softer corner for Rafi’s songs.

Not too long after came the glorious day when I took my ‘savings’ (all the chillar collected over several years) and bought….

……(What else??) A (then) sleek, (then) classy looking, (still) great sounding National Panasonic tape recorder. Wow. I can still recall the excitement…and sense of achievement. Doubt if anything I’ve got for myself since has matched up to that first buy.

The recorder found its way to my study corner, as did Amma’s contribution to my music fetish. Two complete albums of Jim Reeves. And thus did a lifelong love-affair bloom. Maaannnn, whattayyyy voice……I still turn into a puddle of incoherent, starry-eyed idiocy when I hear his songs.

If there is some other way to prove that I love you… (Oh, Jimmmmm…really???)

….. I swear I don’t know how (It’s okay…. Believe me!!!)

That such amazing talent died so young is a big, biiiiiiig loss. Oh btw, THIS is the man responsible for my voice fixation….. In case you didn’t know already, a good voice can do wonders for a guy’s wow-score in my rule-book (90% weightage sometimes!!)

Oh come on, don’t snigger. Gals, imagine your honest reaction when you meet your dream man who’s a John Abraham/ Junior B look-alike….. and then realise that he sounds like Sachin Tendulkar…or Laloo Yadav. No offense to either of them, but I trust you’ve got the point.

Back to the music. Then Abba came along as did the Beatles, BeeGees, Jackson 5, NKOTB, Eternal, Police and the rest. And (ahem!) yeah, I went through the Boyzone-MLTR-Richard Marx phase too…. But NOT Spice Girls-BSB-Aqua (whew!). And when a phenomenon called A.R. Rehman came along, I silently breathed a prayer of thanks. Oh the Mallu, Tamil and Hindi gaanas were there too, but I was more active on the Angrezi front then.

And the melange grew more and more interesting as school progressed to college. Pop, rock, retro and movie music combined into unique definitions for each year. Or situation.

Any song from Minnalae brings back the cheering and yelling during fiercely fought inter-dep contests during undergrad. Kaakha Kaakha is permanently linked to a howlarious class trip to Goa.

A much-loved violin instrumental of Kabhi Kabhi conjures up visions of the Qutub Minar in twilight as seen from my hostel room. The same view through misty veil-like sheets of rain whenever O Saathi Re (of Omkara) plays.

Of packing bags to go home post-exams, at 2 a.m. amid shouts and screams of laughter, when Dil Jo Bhi Kahey blasts away in the background. Off-key caterwauling to the accompaniment of empty Bisleri bottles whenever Kajra Mohabbatwala plays.

Of how Kajra Re defined us being ragged in the first year of B-School, Beedi Jalai Le when we did the ragging in the second, and Sajnaji Vaari Vaari in our farewell party.

It’s not about the songs having any significance per se in the context. I guess it’s about a significant memory that acted out while the song was played.

Another category I haven’t mentioned so far, but has been there all along is sacred music and gospel. Thanks to this genre I never knew something called stage fright. At least not while singing in a group. Singing in a church choir is something I’ve been doing for most of my life, and the satisfaction it brings is something else altogether. Catching up on musicals by the MMA and MCC choirs in Chennai, and Paranjothi in Mumbai is something I do religiously, and methinks it’s worth the pain taken.

I guess I can’t possibly list down every single song that brings back a recollection. Hopefully, I haven’t lived half my life yet, so I’m wishing that the soundtrack of my life gets more interesting with every passing day.

And while that’s happening, turn up the volume folks…and let the music play!!!